A fitting tribute to Sir Donald Sinden

Experiences of a coffineer - Part 11

A fitting tribute to Sir Donald Sinden OBE

Last week the world lost one it's finest actors of screen and stage. Sir Donald Sinden died at home at the age of 90 following a prolonged battle with cancer.

The national press has given praise for his extensive work and his contribution to british acting. They have fully covered his career and extolled his acting successes over the past 7 decades. 

Sir Donald will be remembered for his various stage appearances from comedy (There's a girl in my soup, 1966 - 1973) to various Shakespearean characters, in numerous film productions and more recently playing alongside Martin Shaw in BBC's Judge John Deed.

Today, Sir Donald's funeral service was held at a small village church miles from the busy west end where he was a regular visitor. Friends and family gathered at St John the Baptist in Wittersham, near Tenterden in Kent to say farewell to the great man.

The Sindens are neighbours of ours and Sir Donald was a very popular and highly respected member of our community. Locally he will be remembered for his happy manner and friendly smiles in the High Street of Tenterden and surrounding villages. Quite often I would hear his distinctive voice booming across the aisles of our local Waitrose as he chatted with staff and other customers alike. 

Sir Donald was also a supporter of local arts - he was patron of the Barn Theatre Company based at the Ellen Terry Barn Theatre at Smallhythe Place and supporter of Homewood School drama department who named their theatre after him.

He also supported the local community in many other ways. I remember well, one year, running into Donald at Stone village fair where he was master of ceremonies and resident judge and prize awarder - in his best shakespearean theatrical voice presiding over best victoria sponge and largest marrow. A delight to the ears!

As such, we were delighted to be asked by his son, actor and director, Marc Sinden if we could provide a hand painted Curve Coffin for Sir Donald in the distinctive "Salmon and Cucumber" colours of the Garrick Club in London which Sir Donald frequented.

The Curve Coffin in Garrick Club colours

The Garrick Club flag flies at half mast

We are delighted that the story was covered by local press:

Dame Judi Dench joins mourners at Wittersham church at funeral service for actor Sir Donald Sinden

For more information about the Curve Coffin please visit www.wealdencoffins.co.uk

Experiences of a coffineer - Part 10

A really useful trip to the crematorium

It's quite a few months since we had our first cremation. In order to prove our suitability, we needed to "crem test" our Curve coffin and so, with a little negotiation, arranged a suitable date with a very nice lady at Mortlake Crematorium in South West London.

Via a local firm of FDs, we agreed to donate one of our hand-painted Curve coffins for a local man whose family could not afford to fund his funeral - we were delighted that we could help out in this small way and not just waste one of our beautiful coffins on an empty burning. 

Since the deceased gentleman was originally from South Africa, we offered to decorate the coffin with an Agapanthus design (African Lilly). 

             Pallbearers carrying a hand-painted Curve coffin into Mortlake Crematorium

We've had a few comments since to say that our beautiful coffins are far too good to burn, but then again, they are probably too good to stick in the ground as well and this is the nature of the business that we're in - creating beautiful, hand painted coffins to help people celebrate the lives of their lost ones.

But in this day and age of ecological awareness, just how "green" is the cremation process?

The answer, of course, primarily depends on the age of the cremator (or more accurately how modern it is) and therefore how efficiently it operates. Modern cremators operate far more efficiently and cleanly than older ones.

Modern cremators use better technology than their predecessors. The technology within a modern crematorium ensures all exhaust gasses are re-ignited to ensure that the discharges to the atmosphere are kept to a minimum. Modern crematoriums should operate with no odour, no smoke, and no noise emitted to the environment around it – in fact, they are cleaner burning than most wood burners operating in domestic homes. 

Cremation does use scarce energy resources (natural gas) and contributes to the production of greenhouse gases. However modern, properly operated crematoria do minimise this impact. And, as each cremation is completed, heat is retained in the bricks of the cremator. Therefore, the more cremations that take place in a day, the more efficient the cremator becomes.

The beauty of a solid wood coffin is that it actually aids the cremation process by adding to the fuel and thus reducing the amount of gas required to cremate the body.

Then there is the little considered benefit of recycling natural resources.

Following the cremation of a deceased person the ashes are likely to contain metals, such as items used in the construction of the coffin and, frequently, orthopaedic implants, such as hip and knee replacement joints or metal braces used in repairing broken bones. 

In the past these metals were removed from the ashes and buried within the grounds of the crematorium. Nowadays, and this is certainly the case at Mortlake, these metals are often collected and recycled - the money raised is donated to national or local bereavement Charities, such as CRUSE, Macmillan, SANDS and Cancer Research.

So, before you bury Uncle Bob or Aunty Joan, you might just want to consider how much metal they've got inside of them and whether it would be better for the environment to recycle these parts for future use.

For more information about the Curve coffin please visit www.wealdencoffins.co.uk, find us Facebook or follow us on Twitter @wealdencoffins

Experiences of a coffineer - Part 9

Graham Norton, my new best friend

Here's my first blog of 2014 and I'm telling you it's been a busy old time over at Wealden Coffins HQ.

Firstly, thanks to Holly, we have a brand new and shiny website which I must say is looking rather sparkly and fabulous. If you haven't seen it yet then please head over to www.wealdencoffins.co.uk and take a peek. Please feel free to feedback and let us know what you think.

Secondly, we've been busy on the business side of things - upping the marketing on social media (for the very latest news and views see us on facebook and follow us on twitter @wealdencoffins), working on a business case to raise finance for our planned expansion in 2014 and undertaking some extensive design work to upgrade the Curve.

Thirdly, of course, making and painting beautiful Curve coffins for our clients.

                                   Holly painting on one of the few sunny days

                         Andy putting the inner framework together for another Curve

                                The finished product - a hand painted Curve coffin

During one such Radio 2 fuelled workshop stints I overheard the dulcet tones of Graham Norton requesting listeners to come on air and present their "Tune with a tale" and at the same time have the opportunity to promote their business to the public. 

So, not one to look a gift horse in the mouth, I was soon tapping away on the world wide wibbley-wob to submit my tune to Graham's production team and await their reply.

Now, being a bit of a media tart, I've made many approaches to press, radio and tv over the years and so I wasn't expecting a response at any time too soon. Imagine my surprise, therefore, when a very nice man called Paul rang me just a few days later to talk through my submission and to "audition" me for the show. Literally, all I had to do was tell him a bit about myself and the business and then present my Tune with a Tale. Easy Peasy!

To my amazement Paul then asked me if I was free the following Saturday at 12 O'clock to go on the show - now, either they struggle to get submissions for this part of the show or Paul liked the idea of having a coffin maker on the show or I delivered such an amazing audition that they couldn't possibly let me get away. Of course I like to think it's the latter.

So, all too soon the big day came round and after a brief conversation with Paul I was live on the air with Graham in front of millions of listeners around the country. As ever, Graham was jolly and chatty and gave me plenty of time to talk about myself and my work. I did notice a small titter from the great man when he first asked me about my business - I guess it's not everyday you talk to a coffineer and I must admit I've had a few odd looks from people in the past - but I must say he showed great interest in the Curve and gave me every opportunity to promote our beautiful coffins on national radio.

Amazing publicity that money just can't buy!

Following the broadcast, we had over 400 hits on the Wealden Coffins website (www.wealdencoffins.co.uk) and several comments via our Facebook page and twitter. 

So, a big thank you to Graham and everyone at BBC Radio 2.

Oh, and my tune - Meat Loaf, Two out of three ain't bad.

Play tune


PS If you're quick, you can still catch me on the iPLayer at 2.14.55

Listen here



For more information please visit our website at www.wealdencoffins.co.uk